It also holds onto the freewheeling mix of pulp thrills and comic absurdity - and to Kanno’s indispensable music. This new “Cowboy Bebop” retains the original’s basic narrative, characters and look. The new live-action, English-language version stars John Cho as Spike Spiegel, a bounty hunter who, alongside his partner Jet Black (Mustafa Shakir) and their prickly colleague Faye Valentine (Daniella Pineda), travels across outer space, encountering old friends and enemies in some of the colonies established by the refugees from a ruined future Earth.
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The anime series “Cowboy Bebop” has long been a cult favorite, beloved for its creative genre-bending, which mixes elements of gritty westerns and stylish caper pictures into a planet-hopping science-fiction saga, set to the funky swagger of Yoko Kanno’s brassy score. Shot in a hazy black-and-white - and evoking the elegance of 1920s New York - “Passing” is a muted meditation on how the boundaries of identity are rarely as clearly defined as some may think. As Clare begins spending more time in Harlem, moving freely between the different worlds of race and class, an unsettled Irene can’t decide if she pities, resents or envies her. Clare (Ruth Negga) is passing as white and is married to an upper-class racist (Alexander Skarsgard). Irene (Tessa Thompson) is married to a successful man (André Holland) and is raising two sons in Harlem, where she does race-conscious charity work. Rebecca Hall wrote and directed this adaptation of Nella Larsen’s daring 1929 novel, about two old friends - both light-skinned Black women - who reconnect as adults, leading very different lives. What emerges is part documentary and part cinematic essay, exploring the causes of citizens’ distrust the authorities. (The occasional dramatic action sequences, scored with pulse-pounding music, ought to be a cue.) Much of what Ruizpalacios and his crew shot has been staged and yet it’s mostly still “true,” in that the anecdotes are based on actual experiences and large portions of the footage do feature people sharing their honest feelings about policework directly into the camera. By the film’s halfway point, viewers should start to figure out that not everything here is strictly nonfiction.
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In the director Alonso Ruizpalacios’s challenging and unconventional “A Cop Movie,” two Mexico City police officers tell stories about some of the difficulties of their job, while cameras follow them on seemingly routine patrols. These gunslingers present themselves as living legends, and the movie’s accomplished cast throws themselves fully into making them memorable.
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Written and directed by Jaymes Samuel (with a screenplay assist from Boaz Yakin), “The Harder They Fall” isn’t so much a story about heroes and villains as it is about people who’ve been pushed by years of hard circumstances to develop tough skin and a larger-than-life personas. Jonathan Majors, Regina King, Idris Elba, Zazie Beetz, Lakeith Stanfield and Delroy Lindo (among others) play an assortment of criminal rivals and law enforcement agents, galloping around and shooting at each other, and not paying much mind to the ordinary citizens who get in their way. ) ‘The Harder They Fall’Ī throwback western with a modern feel, “The Harder They Fall” takes several real-life characters - all Black - from America’s frontier past, and puts them into a violent tale of revenge-minded gangs on horseback.
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For more recommendations on what to stream, sign up for our Watching newsletter here. (Note: Streaming services occasionally change schedules without giving notice. Here are our picks for some of November’s most promising new titles.
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19).Every month, Netflix adds movies and TV shows to its library. Rebecca Hall’s directorial debut Passing starring Ruth Negga and Tessa Thompson makes its way onto the streaming platform on November 10, while Andrew Garfield will do his best to channel RENT composer Jonathan Larson in Lin Manuel Miranda’s tick…tick…BOOM! (out Nov.
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17) and the adolescents from Big Mouth continue to experience the pain of puberty when season five drops on November 5. In non-festive news, Joe Exotic is back for Tiger King 2 (out Nov. There’s even a holiday-themed season of the glass-blowing reality show Blown Away: Christmas tucked away in your Netflix stocking, out November 19. 14) flooding the platform throughout the month. 24) and specials like Mariah Carey’s All I Want for Christmas Is You (out Nov.
As such, Netflix’s festive content begins in earnest November 1, with a slew of holiday films like A Boy Called Christmas (out Nov. Spooky season is quickly coming to a close, which means the holidays are almost upon us.